Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay to the unrest? Katniss. And what's worse, President Snow has caused it to be clear that no-one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one with the most brought up books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended as a trilogy. Did it really end just how you planned it from the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc with the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the entire writing process.

Q: We understand you worked on the initial screenplay for the film to become depending on The Hunger Games. What may be the biggest distinction between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. When you are adapting a novel right into a two-hour movie you can not take everything with you. The story has to be condensed to match the brand new form. Then there's the question of how best to consider a magazine told inside the first person and present tense and transform it right into a satisfying dramatic experience. In the novel, you don't ever leave Katniss for a second and so are privy to any any of her thoughts so you will need a way to dramatize her inner world and to generate it easy for other characters to exist outside her company. Finally, there's the challenge of the best way to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A large amount of the situation is acceptable on the page that would not be on the screen. But how certain moments are depicted may ultimately be in the director's hands.

Q: Are you able to consider future projects while working on The Hunger Games, or are you immersed in the world you happen to be currently creating so fully who's is simply too hard to take into consideration new ideas?

A: I have several seeds of ideas boating in my head but--given very much of my focus is still on The Hunger Games--it is going to be awhile before one fully emerges and I can begin to develop it.

Q: The Hunger Games is a yearly televised event in which one boy and one girl from each in the twelve districts is forced to participate inside a fight-to-the-death on live TV. What do you believe the appeal of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an fascination with seeing who wins. The contestants are often unknown, which makes them relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, to ensure whenever they see real tragedy playing out on, say, the news, it won't have the impact it should.

Q: In case you were made to compete inside Hunger Games, what can you imagine your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope could be to get hold of an rapier if there was clearly one available. But the reality is I'd probably get about a four in Training.

Q: What can you hope readers will come away with when they read The Hunger Games trilogy?

A: Questions about how exactly elements in the books could possibly be relevant inside their own lives. And, when they are disturbing, what they might do about them.

Q: What were some of the favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but this time it's for world control. While it is often a clever twist for the original plot, it means that there's less focus on the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in a less vibrant Katniss by showing her despair both at those she feels in charge of killing and possibly at her own motives and choices. This is surely an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels along with the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are well evidenced in his voice, which goes from rage to puzzlement for an unsure resume sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of every with the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.